Outer Music Diary

A collaborative, interactive and critical music blog

March 20th, 2006

Dillinger, Amulet

Dillinger – Don’t Lie to the Band. 1976. D: 11. If Styx were from Toronto instead of Chicago, they’d go by the moniker of Dillinger. At least based on the merits of this sophomore effort. So in laymen terms, that means a more concentrated effort on the proggy bits and less attention paid to the radio. After a really dubious start (who’s BAD IDEA was it to do a funk version of the Beatles’ “Taxman” anyway?) , this finds its sea-legs by track 4 and goes into extended prog rock territory ala Yes and Starcastle (who themselves were also just rolling in 1976) for the remainder. Also a real thrill for you analog keyboard heads, as they throw them all out there! If your idea of a great time was seeing a band at “The Agora” on Wet T-Shirt night and getting tanked on Molson, then Dillinger are for you. Especially if the Molson beer made you see God during the “heady proggy” parts. Far out….  

Amulet – s/t. 1980. 10=10. If you’re looking for the real deal when talking the late 70s American underground hard rock guitar scene, then Amulet is for you. You can’t fake this. There’s nothing flashy, slick, pretentious or commercial about this release. Just a bunch of guys who gave you an honest dollar’s performance, because they knew their audience didn’t have much of it. Straight from the mines to the tavern for some Iron City Beer. Amulet was the featured band. And if the groupie girls were there – well, then, the night was to be remembered forever….

March 20th, 2006

Peloquin Sauvageau, Dionne Bregent, Lougarou

Peloquin Sauvageau - Laissez-Nous Vous Embrasser Ou Vous Avez Mal. 1972. D: 11. Recorded in the era when anything and everything went. Today as we suffer through bands who wear their “music pins” as if they’re running for election on a “ticket”, it’s so nice to know there was a time when all that didn’t matter. This is pure exploratory music, without regards to a particular audience, with poetic ramblings in a variety of languages (primarily French of course) over the top of some incredibly inventive free electronic rock (plenty of fuzz, analog keys, gorgeous Moog solos, etc…). Some of the atmospheres even recall the original Krautrock angst of “Schwingungen” for example. Strap yourself in as this one goes nowhere and everywhere at the same time. Quebec remains the most undiscovered region for creative music. Nice digi-pak gimmix CD reissue from Mucho Gusto.

Dionne Bregent - …Et le Troisieme Jour. 1976. D: 11. Not sure how I missed hearing the Bregent name until now, but clearly an excellent musician in the original electronic 70s zeitgeist. Dionne adds a unique percussive element, and with the added choirs atop the avant styling of the Bregent compositions, this is clearly begging for a CD reissue. More Quebecois brilliance. A <$10 crate digger special!    

Lougarou – s/t. 1976. LP. D: 10. A dubious drinking barroom start yields to the creative folk progressive that Quebec can be so good at (L’Engouvelent, Connivence, etc…). Varied album, but plenty of prog rock inventiveness to call out another winner. And some great lead fuzz guitar offsets what could’ve been too folky trad. Yet another <$10 album that begs for rediscovery.  

|